Where you were: collected pieces
Where you were by barryvan
Recent Posts
[Music] Where you were
This track is a melange of orchestral, trance, dance, and chip. It’s also probably my “loudest” track to date — whilst I haven’t yet managed to put a compressor on the whole
[Music] Unforgot
It’s been far too long since I published a piece of music. Part of the reason for that is that I was, for a while, without a sound-card in my computer —
[Music] Want to be
Want to be was a fun track to write. In the “chorus”, the melody sweeps across the the track in an almost operatic, Andrew Lloyd Webber-esque fashion. The “verse” sections contrast quite
[Music] Evermore
This track is somewhat experimental in its textures and timbres: it combines instruments such as traditional Indian percussion with pipe organ and pitched-down, vibrato-ed cor anglais. For all that, it’s a simple,
[Music] Desperate
Desperate flits between trance and almost-but-certainly-not-dub. There’s a mixture of various synths, the apparently almost-obligatory strings, and a cor anglais which has been twisted in on itself. This is a somewhat experimental
[Music] Autumn
This piece was a lot of fun to write. It’s in 7/8, with the bar broken into 2/3/2 rather than the more traditional 3/2/2. There’s a severely tortured Irish flute in the
[Music] Fundament
I wrote this track back around July 2012 for inclusion in the 2012 Songs for the Cure album, but as it looks as though that’s not going to happen (no word on
[Music] Starlit
I’ve been listening to Armin van Buuren a lot recently, and the result is this track: arguably my first “straight” trance track. There are, however, strong orchestral and rock influences in it,
[Music] When you’re asleep
This track is a fusion of orchestral and electronic sounds — a technique which seems to become more and more a part of my idiom. A slowish lead-up to a strong middle
[Music] Orchestral Sonata II
My wonderful wife gave me a copy of Session Strings Pro for Christmas, and this is its first outing. I’m very impressed by the sound and precision of Session Strings — especially
[Music] Falls apart
This piece starts out quietly, but moves into a fuller, orchestral and synthetic middle section. To my ear, it would work quite well in a game, with its emotive melody underpinned by